And that's when the penny really dropped for me. Shockwaves/HardRadio Podcast #42 — in which host Bob Nalbandian interviews legendary bassist Bob Daisley (OZZY OSBOURNE, RAINBOW, BLACK SABBATH, URIAH HEEP, GARY MOORE) and original JUDAS PRIEST vocalist Al Atkins — is available for download at this location (M4A file, 28 MB). We subsequently thought the royalty payments would continue and that the erroneous credits on 'Diary' would be corrected; neither happened. In the rock bass world, Bob Daisley really needs no introduction. You weren't in at the start of his new album this time? This is a book the Osbournes would not want people to read; I highly recommend reading it. Bob Daisley Book “For Facts Sake” Bob Daisley playing fretless bass Fretless Questions: Bob Daisley. No. BD. Ozzy (or someone other than me) came up with the titles for all the songs on this album, including the title track. If anyone phoned up for an audition they'd get told the three songs they had to learn; Ozzy would just sit there while Jake E Lee and myself played the same three songs again and again. 6. Believe me, we went through drummer after drummer… we must've auditioned about forty or fifty! Both you and Lee must have been confident that justice would prevail in the US courts, particularly when Don Arden offered to help you in your case against the Osbournes. I wrote it about the hypocrisy within organized religion, the brainwashing, mind control, paedophilia and manipulation through guilt, and that if that's what equates to the 'light' then I'll wait for the 'darkness'. Daisley discussed his autobiography, For Facts Sake, Richie Blackmore, Randy Rhoads and Ozzy Osbourne.Listen to the interview below. Ozzy was freaking out because he said his voice would never hold up doing two shows in one day and came to us and said, "Fellas, ya gotta back me up on this one, Sharon wants me to do two shows on some days and my voice won't hold out." I wrote all the lyrics which were about a controversial character in the news at the time by the name of Jimmy Swaggart, a bible-punching, hellfire-and-brimstone-threatening evangelist who got busted with a hooker in a cheap motel. Here's what Steve Machat said about it in his book, 'Gods, Gangsters and Honour': "Don was beginning to suffer from Alzheimer's and he knew his days were numbered. After he'd recorded the piece, Ozzy wasn't sure if he wanted it on the album and neither were the record company reps. I'm not a vintage snob. The last drummer to try out was Lee Kerslake, who'd been with Uriah Heep, and Kerslake turned out to be the one. Bob Daisley interview – Part 2. They were harmless but the glut of them inspired the song idea. Bob Daisley interview – Part 1. Read what he said: “There’s a lot of different types of royalties. What constitutes a 'negative' in their world then? Our lawyers went to the Appeals Court which denied our case a hearing and then the same thing happened when they tried the Supreme Court. Incidentally, the title is a line from an Everly Brothers' song 'Bye, Bye Love'. He's regarded almost as the godfather of that type of music over there, and the queues stretch down the street when the word gets round that he's looking for players! BD. You Looking at Me, Looking at You: Originally meant to be on the album but ended up as a B-side for the single when 'No Bone Movies' which was supposed to be the B-side but made it onto the album. • November 1991, Randy Rhoads Documentary - Bob Daisley Speaks Out. Interview with Bob Daisley. Some bass players actually go in to the studio and ask the producer for the same sound that Bob Daisley gets — must be difficult for the producer, because it's my sound and I don't know what it is myself! When they took ownership of the name and catalogue of Ozzy Osbourne, they also inherited the liability of paying us, which they've never done to this day. "The court case was eventually dismissed and Sharon never once mentioned it again". Lee Kerslake and I met with Don in London on the 12th of September, 2000 and all was discussed and agreed by the three of us that Don would help in our case. From the Diaries of the Madman, the Rock & Roll Rebel himself, Bob Daisley, comes this interview, For Fact’s Sake. Flying High Again: The title and lyrics were mine, Ozzy may have put in a word or two again. One Up the B-side: Specifically written as the commissioned B-side for a single release, hence the title. BD. Bob Daisley: "There was a mobile studio at the gig to record the show as Jet Records wanted a song that was not on the album, to release on an EP that had not already been used as a B-Side. BD. Bob Daisley interview – Part 3. In interview he talked about the first two Ozzy solo albums with The Metal Voice and revealed who wrote what on them. Paying people what they're owed seems to rub that lot up the wrong way. S.A.T.O. Bob Daisley It’s nice to see this interview/ article on the Ronnie Lane site, I was always (and still am) a Faces fan, I loved their music and ‘vibe’ on stage. Did the band have a name or was it an Ozzy Osbourne solo project? 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